Saudi Arabia launches Art Biennale to boost culture and tourism

Saudi Arabia launches Art Biennale to boost culture and tourism will take place from 25 January to 25 May, 2025, in the port city Jeddah

The second edition of the “Islamic Arts Biennale” will take place from 25 January to 25 May, 2025, in the port city Jeddah,

on the Red Sea, the second-largest city in the Saudi Kingdom after the capital, Riyadh.

The aim of the initiative is to give voice to the richness and diversity of Islamic culture breaking away from the reductive stereotypes that often surround Islamic art but, above all, to showcase its vitality in this historical moment of social and cultural  change for Saudi Arabia.

Saudi Arabia launches Art Biennale

Visiting the Kingdom of King Salman today, who has reigned over this Islamic absolute monarchy since 2015, reveals a country experiencing an unprecedented artistic and cultural buzz. Twenty-seven museums are in the pipeline for opening, not solely dedicated to art, and the county includes seven UNESCO World Heritage Sites.

Among these is Al-Balad (The Town), Jeddah’s historic centre with its iconic coral stone buildings and wooden “roshan” balconies, currently undergoing restoration under a $13 million project commissioned by Crown Prince Mohammed bin Salman.

Transforming this “old town” into an international tourist destination is one of the many commitments of the Saudi government within the framework of the “Saudi Vision 2030”, launched in 2016 to diversify an oil-dependent economy. Cultural growth, including the creation of museum hubs and the development of the international art market, along with sports, is one of the cornerstones of this strategy.

 Past and present

Not coincidentally, the Diriyah Biennale Foundation, the Saudi entity that established and manages the Jeddah Biennale, also oversees the contemporary art biennale with the same name, held in Riyadh in alternate years to the Islamic Arts Biennale.

These two parallel initiatives, in dialogue with one another, aim for the same goal, creating a dynamic interplay between rediscovered historical heritage and new artists narrating the present with innovative languages while remaining rooted in tradition.

The intertwining of historical artifacts and contemporary works defines the Islamic Arts Biennale. To showcase five hundred objects, it has involved twenty artists from the Islamic world and beyond—including Italian Arcangelo Sassolino—and thirty international institutions from over twenty countries.

Among these are contributions from the Vatican Apostolic Library and the Bruschettini Foundation for Islamic and Asian Art in Genoa.

The vibrancy of Islamic art, in Saudi Arabia and beyond, is evident in the profiles of several artists participating in the event, held once again this year at the Western Hajj Terminal of Jeddah’s King Abdulaziz International Airport, the gateway for millions of pilgrims traveling to nearby Mecca.

Art Biennale to boost culture and tourism

There is Sarah Mohanna Al Abdali, a native of Jeddah and among the country’s first street artists. She began spray-painting graffiti in the city’s historic area to provoke debate, commenting, among other things, on the excessive development of the Holy City.

Then there’s Imran Qureshi, a Pakistani artist who has developed a contemporary practice tied to the tradition of 16th-century Mughal miniature art. He juxtaposes gold leaf and red acrylic paint to depict the contrast between the celestial realm and the vulnerability of the human body.

Also highlighted is Saudi artist Ahmed Mater, based in Riyadh,

who is one of the most significant cultural voices in his country today. He explores collective memories to tell unofficial stories.

Though absent from Jeddah with his works, the creative vibrancy of Saudi contemporary artists is further affirmed by another woman:

Manal AlDowayan, who represented Saudi Arabia at the 2024 Venice Biennale.

Her work spans photography, sound, and sculpture, delving into traditions, collective memories,

and, above all, the representation of women.

In short, this is a vibrant, dynamic art movement that defies rigidity, stagnation, or nostalgia for the past. It narrates social transformation while perhaps surprising and challenging Western culture.

exclusively devoted to art, and the county is home to seven UNESCO World Heritage Sites, including Al-Balad (The Town) Jeddah’s historic center with its famous coral stone buildings and wooden “roshan” balconies

which is presently being restored as part of a $13 million project commissioned by Crown Prince Mohammed bin Salman. One of the Saudi government’s many commitments under the framework of the “Saudi Vision 2030,”

which was introduced in 2016 to diversify an oil-dependent economy,

is to turn this “old town” into a popular tourist destination.

Cultural growth,

including the establishment of museum hubs and the growth of the international art market

as well as sports, is a key component of this strategy.

Saudi Arabia launches

The biographies of a number of a rtists taking part in the event,

Terminal at King Abdulaziz International Airport in Jeddah,

the entry point for millions of pilgrims heading to neighboring Mecca, demonstrate art in Saudi Arabia and beyond.

One of the earliest street artists in the nation is Sarah Mohanna Al Abdali, a Jeddah native.

In an effort to spark discussion, she started spray-painting graffiti in the city’s historic district,

making remarks against the Holy City’s overdevelopment, among other topics.

Next up is Imran Qureshi,

a Pakistani artist who has created a modern style influenced by Mughal miniature painting from the 16th century

Using red acrylic paint and gold leaf,

he illustrates the contrast between the heavens and the susceptibility of the human body.

He tells unauthorized stories by delving into collective recollections.

Another lady, Manal AlDowayan, who represented Saudi Arabia at the 2024 Venice Biennale,

further affirms the creative vibrancy of Saudi modern artists

despite the fact that he was not present in Jeddah with his works.

She explores customs, shared memories, and most importantly, the portrayal of women in her photography, music, and sculpture.

To put it briefly, this is a dynamic, lively art movement that rejects inertia, stagnation, and nostalgia for the past. It tells the story of social change while maybe shocking and upending Western culture.

Compiled by,

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